The Sun Also Rises, by Ernest Hemingway, chronicles a group of expatriate Americans in Europe during the 1920s. The book's title is drawn from Ecclesiastes 1:5: "The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose." Time magazine included the novel in its TIME “100 Best English-language Novels from 1923 to 2005.”
During the 1920's a group of writers known as "The Lost Generation" gained popularity. Gertrude Stein used this phrase to describe the people of the 1920's who rejected American post-World War I values. Two of the best known writers among "The Lost Generation" are Ernest Hemingway and F. Scott Fitzgerald. The "Lost Generation" defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s. After the horror of World War I, young people felt that acting morally did not necessarily provide humans with a good life. Many good, young men went to war and died, or returned home physically and mentally wounded. Their faith in the moral guideposts that had earlier given them hope were no longer valid. They were "Lost."
The novel, The Sun Also Rises explores the lives and values of the "Lost Generation" by following protagonist Jake Barnes and several of his group of literary acquaintances from Paris to Spain, from city spectacle to rural fishing and the running of the bulls in Pamplona. Initially, Jake seeks peace away from Brett, with whom he is unable to consummate a physical relationship due to a war injury, by taking a fishing trip to Burguete, deep within the Spanish hills, with his pal Bill Gorton, another veteran of the war. Pedro Romero, a passionate bullfighter, and other European citizens serve as foils to the expatriate Americans.
Eventually, although they attempt to mask their fears through excessive drinking, the characters work through their various desires and anxieties during the fiesta in Pamplona.
Questions for Contemplation
How does Hemingway show that Jake is insecure about his masculinity? Move beyond an explanation of physicality to include spirituality, intellectual curiosity, and creativity.
What issues shaped characters’ thinking during the novel? How do these issues reflect the issues that Americans of the time were experiencing?
What technological innovations influenced the way people perceived society and the individual’s place within it?
Drinking; sex; idle talk loaded with cleverness, irony, and pity; attacking Cohn --- a scapegoat; seeking out the noise of crowds and ‘sophisticated’ scenarios… These become the modus operandi of a generation that is truly lost. How is the novel representative of the Jazz Age and the age of the ‘Lost Generation?’
WWI did impact profoundly upon every sector of the Western world. How did American literature respond to the societal transformations of the post–World War I period? Analyze the novel in the context of World War I.
How does the experience of war shape the characters and their behavior? Examine the differences between the veterans, like Jake and Bill, and the non-veterans, like Cohn.
Describe how Hemingway uses major symbols include Jake’s wound (his impotence) and water (river, bathing, and the sea) to create deeper meanings?
The Sun Also Rises is considered by most scholars to be an important novel among all novels written by Americans. But to be an important novel, it has to address more than an empirical moment; i.e., it must have universality. To ascertain The Sun’s universality, a reader must view this novel as a morality play (Everyman/ Jake vs. the war. In what ways does Jake win, and in what ways does the war win?
Hemingway’s writing style: closely analyze his sentences. Note the use of ‘and.’ His description of the landscape is so vivid yet with a modicum use of adjectives. Why does Hemingway write in this particular style? How does his writing style mirror the times in which he lived and the events he was attempting to chronicle?
Compare Jake's relationship to Brett with Cohn's relationship to Frances. How are the two relationships similar, and how are they different? Why do you think that Hemingway create these two female characters so very differently?
What qualities do Jake and Cohn share with the rest of their acquaintances? Is it safe to call them both outsiders? Why or why not?
Compare Jake and Cohn. How does the fact that Jake went to war and Cohn did not make them different from each other?
Discuss the characterization of Lady Brett Ashley. Is she a sympathetic character? Is she a positive female role model? Does she treat her male friends cruelly? In what ways do the male characters treat her cruelly? How do they treat females in general in the text?
Bill tells Jake that “sex explains it all.” To what extent is Bill's statement true of the novel The Sun Also Rises?
Why is Cohn verbally abused so often in the novel? Is it because he is Jewish? Explain. How does Cohn embody the Jewish heritage of the tradition of alienation and suffering? How does that tradition of alienation and suffering explain why Jake accepts Cohn when other characters do not?
Why does Mike attack Cohn but not Jake, whom Brett actually loves? Why does Cohn accept so much abuse?
The ‘Hemingway hero’ [some call him an ‘anti-hero’] has these attributes: a) he is doomed to be destroyed; b) he is not, however, defeated because he maintains dignity while under duress; c) he never speaks of his angst. Using this basic definition of the Hemingway hero, describe how Jake Barnes represents the typical Hemingway hero and Robert Cohn does not.
How is Count Mippipopolous similar to Jake and his friends? How is he different? What is the effect of including a character like the Count in the text?
What inferences can we as readers make about Hemingway’s point of view about non-Protestant Europeans? About persons who do not practice Christianity?
Discuss the problem of communication in the novel. Why is it so difficult for the characters to speak frankly and honestly? In what circumstances is it possible for them to speak openly? Are there any characters who say exactly what is on their mind? If so, how are these characters similar to each other?
Read closely and analyze one of the longer passages in which Hemingway describes bulls or bullfighting. What sort of language does Hemingway use? Does the passage have symbolic possibilities? If the bullfighting passages do not advance the plot, how do they function to develop themes and motifs?
The bullfights are like a morality play within a morality play. The young matador is an example of the ‘Hemingway hero,’ and the bulls are allegorical constructs. What purpose do the bullfights serve metaphorically/ symbolicall? What do the bullfights imply about the lives of the “Lost Generation?”
Brett personifies the mythological fertility goddess. Note how the festival goers worship her in the bacchanalian frenzy. Eros is destructive. Cohn, Mike, Pedro are done in by Brett. Jake, because of his wound, is spared. Create an analysis of Lady Brett Ashley as symbolic of the female gender according to the worldview of Hemingway.
The Fiesta: the pagan festival coincides with a religious festival. There are lots of possibilities to think about here: e.g. Jake and then Brett entering a church and their thoughts at those moments; the parallels between the pagan and the Christian. Both are ways to cope with the debilitating darkness that keeps Jake awake at night. Choose one or more moments and analyze it/ them in the larger context of the entire text.
How does Hemingway show that Jake is insecure about his masculinity? Move beyond an explanation of physicality to include spirituality, intellectual curiosity, and creativity.
What issues shaped characters’ thinking during the novel? How do these issues reflect the issues that Americans of the time were experiencing?
What technological innovations influenced the way people perceived society and the individual’s place within it?
Drinking; sex; idle talk loaded with cleverness, irony, and pity; attacking Cohn --- a scapegoat; seeking out the noise of crowds and ‘sophisticated’ scenarios… These become the modus operandi of a generation that is truly lost. How is the novel representative of the Jazz Age and the age of the ‘Lost Generation?’
WWI did impact profoundly upon every sector of the Western world. How did American literature respond to the societal transformations of the post–World War I period? Analyze the novel in the context of World War I.
How does the experience of war shape the characters and their behavior? Examine the differences between the veterans, like Jake and Bill, and the non-veterans, like Cohn.
Describe how Hemingway uses major symbols include Jake’s wound (his impotence) and water (river, bathing, and the sea) to create deeper meanings?
The Sun Also Rises is considered by most scholars to be an important novel among all novels written by Americans. But to be an important novel, it has to address more than an empirical moment; i.e., it must have universality. To ascertain The Sun’s universality, a reader must view this novel as a morality play (Everyman/ Jake vs. the war. In what ways does Jake win, and in what ways does the war win?
Hemingway’s writing style: closely analyze his sentences. Note the use of ‘and.’ His description of the landscape is so vivid yet with a modicum use of adjectives. Why does Hemingway write in this particular style? How does his writing style mirror the times in which he lived and the events he was attempting to chronicle?
Compare Jake's relationship to Brett with Cohn's relationship to Frances. How are the two relationships similar, and how are they different? Why do you think that Hemingway create these two female characters so very differently?
What qualities do Jake and Cohn share with the rest of their acquaintances? Is it safe to call them both outsiders? Why or why not?
Compare Jake and Cohn. How does the fact that Jake went to war and Cohn did not make them different from each other?
Discuss the characterization of Lady Brett Ashley. Is she a sympathetic character? Is she a positive female role model? Does she treat her male friends cruelly? In what ways do the male characters treat her cruelly? How do they treat females in general in the text?
Bill tells Jake that “sex explains it all.” To what extent is Bill's statement true of the novel The Sun Also Rises?
Why is Cohn verbally abused so often in the novel? Is it because he is Jewish? Explain. How does Cohn embody the Jewish heritage of the tradition of alienation and suffering? How does that tradition of alienation and suffering explain why Jake accepts Cohn when other characters do not?
Why does Mike attack Cohn but not Jake, whom Brett actually loves? Why does Cohn accept so much abuse?
The ‘Hemingway hero’ [some call him an ‘anti-hero’] has these attributes: a) he is doomed to be destroyed; b) he is not, however, defeated because he maintains dignity while under duress; c) he never speaks of his angst. Using this basic definition of the Hemingway hero, describe how Jake Barnes represents the typical Hemingway hero and Robert Cohn does not.
How is Count Mippipopolous similar to Jake and his friends? How is he different? What is the effect of including a character like the Count in the text?
What inferences can we as readers make about Hemingway’s point of view about non-Protestant Europeans? About persons who do not practice Christianity?
Discuss the problem of communication in the novel. Why is it so difficult for the characters to speak frankly and honestly? In what circumstances is it possible for them to speak openly? Are there any characters who say exactly what is on their mind? If so, how are these characters similar to each other?
Read closely and analyze one of the longer passages in which Hemingway describes bulls or bullfighting. What sort of language does Hemingway use? Does the passage have symbolic possibilities? If the bullfighting passages do not advance the plot, how do they function to develop themes and motifs?
The bullfights are like a morality play within a morality play. The young matador is an example of the ‘Hemingway hero,’ and the bulls are allegorical constructs. What purpose do the bullfights serve metaphorically/ symbolicall? What do the bullfights imply about the lives of the “Lost Generation?”
Brett personifies the mythological fertility goddess. Note how the festival goers worship her in the bacchanalian frenzy. Eros is destructive. Cohn, Mike, Pedro are done in by Brett. Jake, because of his wound, is spared. Create an analysis of Lady Brett Ashley as symbolic of the female gender according to the worldview of Hemingway.
The Fiesta: the pagan festival coincides with a religious festival. There are lots of possibilities to think about here: e.g. Jake and then Brett entering a church and their thoughts at those moments; the parallels between the pagan and the Christian. Both are ways to cope with the debilitating darkness that keeps Jake awake at night. Choose one or more moments and analyze it/ them in the larger context of the entire text.
The Sun Also Rises, with its stress on nihilism and absurdity, is a study in Existentialism. What qualities of Existentialism emerge in the text?
Deconstruct Hemingway’s writing style. Closely break apart his sentences. Note the use of ‘and.’ His description of the landscape is so vivid yet with a minimum use of adjectives. The last paragraph of the book in tandem of a string of short, simple sentences. His style complements his theme. Describe the theme of the book in conjunction with Hemingway’s writing style.
Deconstruct Hemingway’s writing style. Closely break apart his sentences. Note the use of ‘and.’ His description of the landscape is so vivid yet with a minimum use of adjectives. The last paragraph of the book in tandem of a string of short, simple sentences. His style complements his theme. Describe the theme of the book in conjunction with Hemingway’s writing style.
--- adapted from resources provided by Harry Anderson, book discussion leader, Harmony (RI) Library
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Sun Also Rises Review
The "Sun Also Rises" is a story told through Jake Barnes, an American war veteren living in Paris. Jake like many characters in the story struggle with masculinity. Jake struggles with this because of an injury he suffered during the war which prevents him from getting intimate with Brett. Another character who struggles is Robert Cohen who did not participate in the war. Also being a jew he feels he has to prove his masculinity through various activities such as boxing for. Jake explains this about Jake when he exclaims “He cared nothing for boxing, in fact he disliked it, but he learned it painfully and thoroughly to counteract the feeling of inferiority and shyness he had felt” (Hemingway 11).Set ten years after World War I, The "Sun Also Rises" also seems to emphasize the Lost Generation after the war. Hemingway tells the story of the lives of the expatriots after the war living in Paris. They live their lives mourning the war and seeking ways to forget their problems and memories by doing such things as drinking. They aim to try and live thier lives to the fullest and try to achieve this by attentding the running of the bulls in Pampalona. This idea is shown early on when Robert says to Jake "Don't you ever get the feeling that all your life is going by and you're not taking advantage of it? Do your realize you've lived nearly half the time you have to live already?" (Hemingway 19). Hemingway's "Sun Also Rises" is written in a very straight forward, terse style which makes for an easy read but throughout the story there is no main plot. - Rudy
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Darkness in Society: A Musical Journey Through the Heart of Africa
Musical Interpretation
• I chose two songs that had lyrics that best represented the primary themes and points of view in Joseph Conrad’s novella Heart of Darkness
• I gave my own interpretation of the lyrics in relation to Heart of Darkness
• “Aerials” by System of a Down
Life is a waterfall
We’re one in the river
And one again after the fall
Swimming through the void
We hear the word
We lose ourselves
But we find it all....
Cause we are the ones that want to play
Always want to go
But you never want to stay
And we are the ones that want to choose
Always want to play
But you never want to lose
Aerials, in the sky
When you lose small mind
You free your life
Life is a waterfall
We drink from the river
Then we turn around and put up our walls
Swimming through the void
We hear the word
We lose ourselves
But we find it all...
Cause we are the ones that want to play
Always want to go
But you never want to stay
And we are the ones that want to choose
Always want to play
But you never want to lose
Aerials, in the sky
When you lose small mind
You free your life
Aerials, so up high
When you free your eyes eternal prize
Aerials, in the sky
When you lose small mind
You free your life
Aerials, so up high
When you free your eyes eternal prize
“Aerials” Interpretation
The song “Aerials” is about how as humans we lose our identities as individuals to the broad materialism in the culture of society. The conformity examined in “Aerials” applies to Heart of Darkness because it shows how the Europeans expect the African natives to conform to their culture and abandon the cultural values they have held for centuries to adapt a new, “better” way of living. The first lines of the song state that life is like a waterfall, because everyone is born in the same way, but influenced differently by their environment, therefore losing their individuality, and then after life comes the fall, or death where everyone is the same again. The song also addresses the way that the European explorers perceive the natives: “when you lose small mind you free your life”. In other words, if the Europeans were to look beyond their own “immaculate” knowledge and contemporary ideals, they would see that the African culture is not inferior to their own but rather a different way of life. Lastly, the line “we drink from the river then we turn around and put up our walls” relates to Heart of Darkness because the Europeans take the African territory for their own without compensation.
“Desert Rose” by Sting Featuring Cheb Mami
The Music Video
I dream of rain
I dream of gardens in the desert sand
I wake in vain
I dream of love as time runs through my hand
I dream of fire
Those dreams are tied to a horse that will never tire
And in the flames
Her shadows play in the shape of a man's desire
This desert rose
Each of her veils, a secret promise
This desert flower
No sweet perfume ever tortured me more than this
And as she turns
This way she moves in the logic of all my dreams
This fire burns
I realize that nothing's as it seems
I dream of rain
I dream of gardens in the desert sand
I wake in vain
I dream of love as time runs through my hand
I dream of rain
I lift my gaze to empty skies above
I close my eyes
This rare perfume is the sweet intoxication of her love
I dream of rain
I dream of gardens in the desert sand
I wake in vain
I dream of love as time runs through my hand
Sweet desert rose
Each of her veils, a secret promise
This desert flower
No sweet perfume ever tortured me more than this
Sweet desert rose
This memory of Eden haunts us all
This desert flower
This rare perfume, is the sweet intoxication of the fall
“Desert Rose” Interpretation
“Desert Rose” represents Marlow’s fascination with the African continent in Heart of Darkness. This song actually suits the theme rather well because it features a vocal performance by The Prince of Rai, Algerian singer Cheb Mami. The song is about a mysterious woman who intrigues the speaker, just as the mysteries of the jungle and its people intrigue Marlow. The line “this memory of Eden haunts us all” represents how European imperialism in Africa is already lessening the authentic nature of Africa and its indigenous cultures in the novel. The fact that the speaker in “Desert Rose” can imagine ideal surroundings in a (in some opinions; there are people like myself who love the desert) desolate environment coincides with the European desire to colonize Africa and transform its culture. This concept is equally represented by the line “those dreams are tied to a horse that will never tire”, adding that the Europeans, in relation to the indigenous Africans, have a great amount of power that will allow them to carry out colonization.
Works Cited
http://www.lyricsfreak.com/s/system+of+a+down/aerials_20134825.html
http://www.azlyrics.com/lyrics/sting/desertrose.html
http://z.about.com/d/africanhistory/1/0/x/I/Slave.jpg
http://www.spring.org.uk/images/shoe_shopping2.jpg
http://www.lyricsfreak.com/s/system+of+a+down/aerials_20134825.html
http://myplay.com/files/imagecache/photo_345_square/files/artist_images/systemOfADown.jpg
http://www.chrisbartonphotos.co.uk/ngr/images/ngr57.jpg
http://www.wlkrradio.com/assets/pics/Sting.jpg
http://i-cias.com/e.o/ill/cheb_mami01.jpg
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